Mel Nutter as Baudelaire

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Fake It ‘Til You Make It

August 19, 2018 /

If you have been following me on Instagram and Facebook, you may have seen my most recent achievement – flipping my grip! I have always gained strength much more easily than flexibility, however a quick scan through my posts from the last few months and I’m starting to change my mind.

A long time ago I read somewhere that if you desire to be flexible you should start doing flexible tricks (der!). This sounds super obvious, yet it is surprisingly common to see people avoid certain aerial tricks or transitions because they have convinced themselves they can’t do them.

Don’t get me wrong, I am not advocating for ignoring signs that your body has had enough. Always listen to your body and never push your joints and muscles too far. But, with safe training in mind, have you considered that there could be some front split or side split moves that you can do, even though you don’t quite have a flat split floor?

At the beginning of June I made a commitment to myself to try more flexy moves rather than avoid them based on my assumption that I am not flexible. After just one week I was sorting out the videos of my phone and found screen shots like this –

Motivation much?

If you look closely in the third photo you can see the reflection of the pose in the mirror. I’ll be honest, appearing flexible is just as much about perspective and angles as it is actual mobility. Regardless, I felt that I was on to something!

Each training session, whether at home doing yoga, or in the studio in the air, I reminded myself to try a splitty trick, or a back bend pose. During my warm ups I also incorporated more dynamic kicks, silencing the voices that told me “your kicks are not high enough”, “you look silly”, “just do 5 pull ups, it’s much more impressive!”

Exploring these new poses, I was also able to find a way to make them work for me. Having hips like Cleo the Hurricane is not one of my short term goals, but in the right poses my splits can still present with good lines and be dramatic enough for an audience to say wow!

The final push into completely re-framing my perceptions of my dance abilities came during aerial hoop class just last week. I have a tendency to skip through the pose of splits under the bar, never thinking it was worth holding because my splits on the ground were still rubbish. But since adding more front split moves into my aerial repertoire, guess how they looked? My training buddy called out, “look at your splits!” and when I took them time to extend through the pose, I even shocked myself.

So my advice to you is to get out of your head! Stop comparing your body to other people’s and start focusing on what you’ve got. Visualization works for learning choreography and routines, so why not apply the same techniques to your flexibility training? Fake it, ’til you make it, and you might find you make it sooner than you think!

On a final note, before there are too many questions, I am continuing to train my square splits diligently, as well as doing my contortion drills from circus class. Believing you are flexible is just part of the journey, but a very important one to share.

Safety with Back Bends

November 1, 2017 /

Ask any pole dancer or aerialist about their goals and no doubt they include working on back flexibility. If they were a gymnast or ballerina as a child they may remember doing walk overs and wearing “foot-hats” and hope that their muscle memory allows them to return to being so supple and bendy. Yet, even for dancers who only took up the practice as adults, we all dream of beautiful lines and elegant shapes created by a strong and flexible back arch.

But what is the best way to practice bending backwards? Are all bodies able to do back bends?

Firstly, let’s look at what you are trying to achieve. Vertical Wise published a great article in 2016 showing how, depending on which part of your back is naturally more flexible, what your back bend may look like (in an ideal world where we can all sit on our heads!)

It has been said that although you can lengthen the muscles, tendons, and fascia, that support the spine, the actual space between the bones is set as of puberty (Source). This does not mean that we should all stop flexibility training all together, but it does help us set realistic goals and learn to approach the practice of back bending from a safe perspective.

When you attempt a back bend pose on the floor, you are enlisting the help of your hips, glutes, quads, shoulder, lats, and your neck. Therefore, one of the first points to consider when embarking on safe back bending is that you also need to stretch and learn to engage these other parts of your body. Injuries, especially in your lower back, may occur from continually putting pressure on the spine in an attempt to push deeper and deeper.

Lat stretches included in #SaturdayLaturday can be effective in helping to “open up” the upper back. Lunges and reclining poses that focus on the quads, hip flexors, and psoas, will also help to ensure the final poses are not putting too much strain on your lower back.

In each of these preparatory poses, try to think of opening the chest and staying long through the spine. Try not to throw your neck back more than necessary as this is also a common area for sprains and injuries. Yoga wheels and other props can help you form a safe shape as you learn to bend backwards, however learning how to hold a strong back bend should always be the goal, not just learning how to fall into one.

Different practitioners have opposing views about whether it’s a good idea to engage the glutes during back bends. It is possible that by engaging your glutes you can increase the stretch in your hip flexors, and reduce the load on your lumbar spine, but squeezing your butt may also externally rotate the legs and put you out of alignment. The glutes are made up of three muscles, two of which externally rotate the hip and one that internally rotates the hip. Learning to engage the lower gluteus minimus separately from the others may work in your favour to stabilise and increase the range of motion in your back bends. Practicing bridges from the floor with proper alignment will help you connect with this muscle. I also recommend reading this article by Roger Cole, Ph.D, for some simple and effective exercises to learn how to engage your glutes for safe back bends.

From a personal stand point, I have seen more improvement in my back flex and strength since joining a contortion class at the circus. I believe this is not only due to having professional instructors, but also due to the added diversity and consistency of my practice. In two, hour long classes a week we explore back bending from every angle – bridges and wheel pose, camel pose, bow pose, forearm stands, dancers pose, chest stands, as well as classic contortion positions for the more flexible students. Rather than just holding each shape as a static pose, we are encouraged to be actively entering and exiting the pose working to build strength in the posture as well as increasing our range of motion.

The many ways to enter/exit wheel pose include:

  • lying on your back, hands over head, push up
  • drop backs or walking your hands down a wall to the floor (and reverse back to standing)
  • from a handstand, flipping over to land your feet on the floor or mat (and reverse back to standing)
  • sitting, externally rotate one hand and push up, drawing an arc with your other hand until it reaches the floor underneath you (both sides)

Once you are in wheel pose there are also variations like lifting one leg, straightening both legs, or sinking your butt down to create a hollow back shape.

Some of these entries may feel better for your body than others. I still cannot drop back into a wheel pose, but I can get quite deep bends using the strength in my arms and legs to push up. I am still practicing my drop backs though, going back as far as I can from standing, holding and breathing, and then returning to standing with control and with focus on alignment.

“An honest way to train yourself into deeper backbends is to practice hands-free. When you remove your hands from backbends, you’re forced to work your core and spinal muscles. You can’t cheat how deep you get when your hands aren’t pushing you past what you can hold with integrity”

(Source)

Dancers who have a tendency to hyperextend their elbows, may also benefit from practicing hands free as they won’t be putting any pressure on the joint until their hands touch the floor in the final presentation of the pose.

You can also go hands free dropping back in camel pose.

Or lifting hands free from the floor.

These are great exercises to add to your practice as they will strengthen your back and core and help you learn to connect with the muscles that will support your back bends. Training this way will ensure you are also not falling into a bend that you don’t have the strength to maintain.

It can be scary to start practicing back bends on your own. Try joining a flexibility or contortion class or start small and train with a friend to help as a spotter. From a yoga perspective, back bends are considered to

“stimulate the proper functioning of the digestive system, help preserve the health of the vertebrae and spinal disks, and open the body to deep diaphragmatic breathing.” (ref)

You may also find that regularly practicing back bends improves your posture as well, countering bad habits of slouching at you desk and in front of your computer. A friend used to move her laptop to the floor and work in sphinx pose, challenging her upper back and shoulders for up to 20 minutes or more. If you have a flexible work space this is a great way to add some extra back bend practice to your day. Just be careful not to overdue it, remembering to pull your shoulders back and down and keep the neck long as you look forwards.

Finally, every back bending session should be matched with counter poses. Coming from a yoga background I would suggest, if your training involved lots of back bends, on the floor or the on the pole (e.g ballerinas, cocoons, crescent moons, allegras, and brass bridges), counter these poses with some forward bends off the pole – seated forward bends, plough pose, wall assisted forward bends, and some spinal twists. Don’t forget to breathe deeply into the upper, middle, and lower back in these poses and remember to lengthen and extend. Relaxing with shavasana and giving your body time to assimilate your practice will also support you adapting to your new bendy self!

_______

This post was requested by Su Ma Zaw, the winner of the October Shoutout Competition. If you would like to be involved in further competitions and be in the loop for all announcements, performance updates, and special gifts, sign up to my newsletter here!

 

 

Wrist Care

September 16, 2017 /

As humans, we have spent a lifetime walking on our feet and ankles. As pole dancers and aerialists we now spend hours a day trying to balance and hold ourselves up on our hands and wrists. If you are finding that your wrists and/or forearms hurt when attempting various pole tricks, or ache after a workout, you are not alone. Aside from shoulder injuries and torn hamstrings, wrist injuries are one of the most common aliments for pole dancers and aerialists.

Personally, I have a genetic predisposition to Carpul Tunnel Syndrome. My mother, grandmother, and great aunt, have all had various surgeries to reduce pain and support their mobility and well being in their wrists. Hopefully, the strength and mobility I have attained from pole and aerial training is working in my favour. I still get odd nerve pains and tenderness, but have found massage, nerve flossing, and rest (which even included learning how to use my computer mouse with my left hand!) are all effective in reducing pain and allowing me to continue my aerial training.

I have known many dancers who suffer from wrist ailments, such as ganglion cysts which all impact on their ability to pole. It is important to listen to your body and know when to stop or alter a move. There is no use pushing through and hoping the pain will go away. Many spins and tricks can be accomplished with the forearm on the pole, or in cup grip which allow the wrist to stay in a more neutral position. Variations for an Ayesha/Static V are pictured below.

 

Disclaimer – The following content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or other qualified health professional with any questions you may have regarding a medical condition.

The wrist is a very complex set of joints, ligaments, and nerves that support the movement of the hand in four directions – flexing, extending, and deviating side to side. The wrist can also twist, what is known as pronation and supination.  The structure of the wrist is made up for four main ligaments, three nerves, eight carpul bones, and five metacarpal bones. It goes without saying that a lot can go wrong if you fall on your wrist on put pressure on it in the wrong way!

It is important to warm up the wrists just like you warm up the rest of your body before pole. As well as wrist circles and stretches for the forearms and fingers, try this exercise:

Wrist lifts from all fours

 

Moving your hands closer or further away from your body will alter the amount of pressure and change the required strength to execute the move. What you are aiming for is quality of movement over quantity. Try to make the movement as smooth as possible. You also don’t want to fatigue the wrists. This exercise involves lots of tiny muscles, ligaments, and tendons, that may not be used to working out.  5-10 repetitions as part of your warm up is more than enough.

If you have a theraband there is also a great wrist exercise you can do with a pole or even just a railing. Standing next to the pole with the theraband at waist height, wrap the band around your palm and make a fist. Bring your elbow to you waist so your forearm is pointing out in front of you. Move away from the pole to increase the tension in the band. Fold your hand down (in flexion) with your hand in a fist and slowly release back to a neutral position. Repeat 5-10 times with both hands. The tension offered by the theraband will support muscle strength throughout the wrist joint.

Massage can be great for the wrists too, especially after an aerial session. You can massage your own wrists with the opposite hand, or if you are lucky to have a friend to help you, this is a great partner exercise –

Have you partner interlock their fingers with yours as they are facing you. Let your hands and arms go limp, as your partner shakes your hands up down. They can alternate with large motions or short and fast ones. I find this exercise is great for releasing lactic acid after a workout.

For the next section I talk about the split grip position on the pole. I am primarily talking about the pose known as a jamilla or an apprentice, where many dancers report feeling pain in their bottom hand.

When setting yourself up for a split grip, be extra mindful of your hand placement. Rather than gripping the pole and trying to support your weight, the action should be more of a sideways push. As your strength and technique increases you will soon be able to do this without your fingers wrapping around the pole at all.

Other things to remember for a successful and pain free split grip are:

  • Try not to place your bottom hand too high on the pole. Allow the wrist to remain in a neutral position rather than extending.
  • Point the index finger of bottom hand downwards reminding you to push rather than grip (you can see my bottom hand in this position in the video)
  • Bend your bottom arm just a little, don’t lock out the elbow
  • Remember to pull with your top arm, this will help take the weight away from your wrist in the bottom hand

Split grips like the apprentice/jamilla are not beginner pole moves. You need to be strong enough to carry most of your weight in your top arm.

The team at Vertical Wise also offer advice for other wrist intensive moves too.

“In moves like handspring, butterfly, flag, etc. it is best to keep a straight line from the elbow to the wrist.
This way, our body weight is evenly distributed and we don’t put too much pressure on the wrist joint.

By forming a straight line from the elbow to the wrist.

  • Our grip strength comes from the shoulder blade (scapula) and not from the wrist. This results in activating all of the muscles of the core body instead of using only one specific group, that of the forearm.
  • We prevent prolonged hyperextension of the wrist, which might even lead to a carpal tunnel syndrome.”

As pole dancers and aerialists we all dream of being able to continue flying forever and ever. But to do this, we need to take care of ourselves. Listening to our bodies, stopping moves that cause pain, and developing good technique to reduce injury are essential for any dancer. Taking appropriate rest days to let our bodies heal will also ensure we can dance with strong, healthy bodies right into our 80s!

 

Saturday Laturday!

May 13, 2017 /

At some point, pole dancers and aerialists will begin to see their upper back and shoulders becoming stronger and larger. Racer back tops and sleeveless dresses are now the norm as we cater to our growing lats, shoulders, biceps, and traps. Our bodies are stronger because of pole, yet many women question if their growing lats are something to be proud of or something to cover up.

So, in the spirit of embracing strong women, it is with great pleasure that I introduce #SaturdayLaturday! Show off your lats to the world and support women growing stronger – inside and out!

Just like #sundaybumday, and in the spirit of training safer and stronger, let’s look more closely at our lats, how they work to support us upside down, and how you can keep them injury free.

In the diagram you can see that the lats are the muscles that wrap around the middle and lower spine, extending up through the armpit. They insert on both shoulder blades and the upper arm at the humerus.  Their full name is “latissimus dorsi” which basically translates to “broad muscles of the back” – latissimus = broadest, and dorsum = back.

The lats connect and support movement through the spine, ribs, sacrum, and shoulder blades. Every time you lift you arms above your head and engage your shoulders, sit tall with good posture, or twist and bend your torso, your lats are put to work. Having strong lats will stabilise your scapula and upper back and also aid in shoulder stability. The lats pull your arms down towards your body and help with rotation. Try this: hold our your arm out straight and make a “thumbs down” action rotating from your shoulder. You should be able to feel your lats working in this movement. If you are familiar with a twisted grip mount in pole dancing you will also see the similarities and how your lats work to rotate your arm and shoulder for you to turn your arm and grip the pole.

Bodybuilders use exercises such as chin ups, pull ups, and pull downs  to strengthen and train their lats. Your inverts, shoulder mounts, and any work on silks and lyra, are going to engage your lats as well. Hence, the surprise when someone snaps a pic of you at the beach and you realise how much your back has changed because of pole!

Aerialists and pole dancers spend lots of time pulling with their arms overhead. Having strong lats will help with these movements and will give you better posture. But if the lats are too tight, you may be at risk of rotator cuff injuries as your shoulder overcompensates. Tight lats also make it virtually impossible raise the arms full over head in a backbend, and may even reduce your ability to create a stable base for a headstand (ref).

If alarm bells are going off in your head as you realise tight lats may be stopping you from reaching your flexibility and aerial goals, then read on!

One way to counter tightness and care for your lats is to foam roll them. Lay on your side with your bottom arm outstretched and the roller perpendicular to your torso. From here you should be able to roll forwards and backwards as well as side to side, being careful to not roll over your ribs. Regular foam rolling will help soothe and soften the lats.

When stretching the lats, ensure that your pelvis and ribs remain stable. If you raise your arms over head from a standing position and you find your ribs popping and lower back arching, your lats will not be stretched effectively. “Stabilise the origins” of the muscle by keeping your pelvis and tailbone tucked under and your core engaged. When you raise your arms, you should feel a stretch at the back of the armpit.

You can see how tight your lats are, and have a great lat stretch by trying this exercise on the floor:

Lie on your back on the floor with your arms by your sides. Feel where the back of your rib cage touches the floor, taking special note of the point of contact that lies closest to your waist. Turn your palms up, then lift your arms up and overhead to the floor, or as close to the floor as they will go without you bending your elbows or separating your arms wider than your shoulders.

For most people, this movement will make the lower ribs lift off the floor in back and jut out in front. Now return your arms to your sides and repeat the same actions, but this time, as you reach overhead, press the lower rib cage—the point closest to your waist—firmly into the floor to prevent it from lifting up at all. This will probably create a sensation of stretch on the outer sides of your armpits and make it harder to reach the floor. The stronger the stretch and the greater the restriction of movement, the tighter your lats are. (ref)

Here are some simple stretches to include after your pole dance or aerial session to balance out your training and give your lats some love –

1- Assisted Squat – Use stall bars or a high bench to offer resistance as you hold on with your hands. Start with a neutral pelvis (pictured) and then sink your hips down towards the floor. Tuck the pelvis and feel free to let the back round and relax, gently swaying from side to side to increase the stretch.

2- Elbows on chair – Use a rolled up towel or something to hold on to, to keep your arms from rotating back in. Sit on your knees in front of the chair and rest your elbows on the chair edge (roll up a blanket or yoga mat to make this more comfortable. Sink your hips down and lower your chin to your chest to feel the stretch.

3 – Eagle Pose – Doing this pose seated on a chair will ensure that you keep your pelvis and ribs in alignment, focusing the stretch on your lats without arching the lower back. Wrap your right elbow inside your left and curl your wrists around so your palms are facing each other (or as far as you can go). Lift your elbows towards the sky until you feel the stretch behind your armpits. Take a few breaths and then change sides.

With all the technical talk out of the way, it’s time to show off your lats! Join the #SaturdayLaturday movement, show off how strong and proud you are of your body and give your lats some love for all they do in your dance practice!

Use the hashtag #SaturdayLaturday on Facebook, Instagram and Twitter and lets share the love for our lats!

An Effective Warm Up

November 4, 2016 /

Whether you are training in a studio or at home, it is essential that you incorporate a warm up routine into your poledance or floorwork session. An effective warm up will prepare the body for exercise, lubricate the joints to support mobility, and increase blood flow, bringing oxygen to the muscles.

When leading a warm up, your instructor should be able to offer movements that prepare the entire body, and also include exercises which target muscles and joints that are specific to the pole moves you will be working on. For example, extra hip stretches for a class working on split moves, or some added shoulder and upper back exercises to help you engage the correct muscles for deadlifts and ayeshas.

At home, this can be a little tricky. You may remember movements from a warm up in class, but without the instruction and guidance from a teacher, you may be tempted to skip over reps or rush your routine just to get on the pole sooner.

I’ve seen many dancers do this in practice time too. Walking in, getting changed and doing a few shoulder rolls and hip circles before jumping on the pole and pulling out a crazy combo. Nine out of ten times you could do this and be fine. But you increase your chance of injury by not preparing the muscles to engage in such vigorous activity.

When planning your home practice, make sure you have included time for an effective warm up and cool down. Both should take about 10-20 minutes, longer if you are adding conditioning exercises, or working on flexibility and foam rolling.

“The warm-up should be a combination of rhythmic exercise which begins to raise the heartrate and raise muscle temperature, and static stretching through a full range of motion. “ (DanceProject.ca)

Consider the muscle groups that will be active in the types of tricks you are training. Working on Jade Splits? be sure to warm up your hip flexors, hamstrings, glutes, and quads. Working on your Handspring? You will need to warm up your shoulders, back, forearms, and wrists.

When creating your own warm up, keep these points in mind:

Keep it Dynamic – you are aiming to increase blood flow and get your heart rate up. Don’t just sit in static stretches. Flow through the movement and explore your range of motion. Yoga flow can be a great way to get started.

Jump Around – Break up the kicks and stretches with some cardio, star jumps, burpees, mountain climbers, or just running on the spot. It will help you feel warm and support your stamina for those long pole routines.

Turn It Up – if you are lacking motivation for your warm up, put on some music that gets you moving. The hardest part is often getting started.

Make it Functional – consider the movements and tricks you want to train and ask, how can your warm up support these? Knee lifts and high kicks for hip mobility. Add a thera band and put in some resistance exercises to warm up your wrists, arms and shoulders.

Range of Motion – Explore the movements from all angles. Lay down on your back and do you leg kicks and extensions. Add a chest roll to your upper body movements, or pause in a pose and do some arm circles, and see how you can target and engage different muscles.

Coordination – remember, a warm up prepares your body for what it is about to do. Pole dancing requires lots of coordination and body awareness, a relationship between your mind and your body. Animal walks are a great way to get you brain in the right mindset for pole, offering exercises that alternate between both sides of the body.

Breath and Movement – elevatED Education talk a lot about how breath supports movement. There is no use increasing blood flow if your breath is shallow and not spreading oxygen around the body. If you have been to a yoga class before, you would have been instructed to pair your movements with your inhale and exhale. Try this in your own warm up, finding your own rhythm and breathing into a stretch.

Add Weights – Use a medicine ball, kettle bell, or ankle weights to up the challenge. Keep the ankle weights on as you start some pole conditioning, doing some pencil spins or straight leg straddles!

On a final note, remember that during a warm up you also have a chance to check in with your body. Any injury or illness you have can often be recognized, and further injury prevented. It’s much safer to be alerted to a tight hamstring or unhappy hip flexor when you are still on the ground, rather than mid combo 2 metres up the pole!

Being a regular home poler, I found myself a consistent warm up routine that I have now recorded and can share with you.

 

If you are a subscriber to my newsletter you will also be granted access to my Dance Warm Up at the end of November, a fun way to freestyle around the pole before starting any big tricks. Great for some added cardio and to work on those staple pole moves – body rolls, hip circles and kicks.

 

Cross Training for Aerial – Part 5: Foam Rolling

May 3, 2016 /

I first started foam rolling after subscribing to StudioVeena who recommended it for use before stretching.

In her tutorials she would outline how to roll the large muscles in the legs before flexibility training, as a way to increase blood flow to the muscles and loosen up knots and tight areas before working on regular stretching sequences.

Physios and massage therapists sell a variety of foam rollers and spiky balls of all shapes, sizes, and firmness depending on how they will be used. As well as being a great asset to your flexibility training, foam rolling can work wonders on DOMS, and be generally soothing for an active body. Chunky rollers are great for larger muscles. Spiky balls are perfect for getting into smaller muscle groups in the back and shoulders, or for massaging the forearms after training.

When choosing your foam roller, keep in mind your tolerance during a regular massage. The softer the roller the softer the pressure, and the firmer or spikier the roller, the more it will dig in to those tight spots. A deep tissue experience can be effective but you don’t want to be in so much pain that you can’t commit to rolling up and down your leg!

My preference has been a hard, smooth roller that I picked up at the local Clark Rubber supplier! It’s the perfect density to use everyday, before stretching or after training, large enough to roll my hamstrings, quads, and glutes, but also small enough to throw in the car if I need to bring it along to a comp or showcase.

Foam rolling is a “self-myofascial release technique” that works by massaging the fascia and muscle fibers. Research suggests,

“Self-myofascial release causes an increase in short-term flexibility that lasts for >10 minutes but does not affect athletic performance acutely. Self-myofascial release may also be able to increase flexibility long-term, in programs of >2 weeks.”

Sounds pretty good right?

Here are some photos of how I use my roller at home. You probably need a space similar to what you use for yoga to make sure you can lay down and roll in various directions. It’s a great practice to turn into a habit though, and once you know what you are doing, it’s easy to incorporate into your day, even while watching television!

I like to start on my legs and glutes, remembering to roll up and down the entire muscle and at various angles.

Foam Rolling glutes

 

While sitting on the foam roller, I angle my body to either side, rolling in the direction of the muscle fibers. By placing my foot on the floor or lifting it up, I can change how much of my body weight I am putting in to the motion. Listen to your own body as you roll, slow down on the “sweet spots” – those trigger points that seem to be more painful than others – or even pause for up to 30-60 seconds and you will find the tension begins to release.

Foam Roller HamstringsFoam Roller Calves

My roller is long enough for me to do my hamstrings, calves and quads side by side. Though once again, I can change the amount of pressure I’m applying by rolling them one at a time or leaning into  it at a different angle.

Foam Roller Quads

Fellow polers also roll their ITB. I find this incredibly painful but sometimes have the nerve to work up to it, rolling over from during my quads to catch it as I roll down my outer thigh.

Foam Roller Adductors

Rolling your adductors, or inner thigh, can be a bit tricky, however those with good hip flexibility may find this easier. Try and cover as much of the muscle as possible and don’t forget to slow down or pause over any trigger points.

Foam Rolling Stretch Foam Rolling Forearms

Recently I have been rolling my forearms and upper back and then using the roller to perform and overstretch for my shoulders. After rolling up and down my forearms, with the large foam roller and a tennis ball, I sink back into a child’s pose with my arms resting on the roller. Breathing into the stretch, I try to sink my chest down to the floor, feeling the stretch along my upper arms, down my lats under my shoulder, and across my shoulder blades. Coming out of the stretch I try to curl my spine in the opposite direction, remembering to breath as I come out slowly.

Don’t forget to drink lots of water post foam rolling session. Any type of massage increases blood flow around the area and staying hydrated will help the lymphatic system and circulatory system do it’s job, reducing the chance that you’ll feel groggy and need a nap after your session.

If you have a foam roller at home I’d love to see your favourite techniques and stretches! Post them here or tag me in your photos online!

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