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10 Rest Day Tips

20160418_200918We all know that we should have rest days. Between pole days, conditioning days, flexibility training days, training for comps, choreography sessions, and that push to try that move just one more time …soon you find you’ve been poling for three weeks straight!

Your body doesn’t tell you with a polite note slipped under the door either. It bangs on the door in the middle of the night and wakes you up sore, unforgiving, and perhaps even with the flu!

Being run down puts a big hole in your pole practice. You end up having to take a week off instead of just a day, and then you feel like you need to work twice as hard to make up the gains you think you missed.

It’s a vicious cycle, I see many people go through in the studio. Over training leads to injury and burn out. It is also an emotional roller coaster where unrealistic expectations crash with self doubt, and tuning out to the body’s cues.

So let me re-frame your idea of a rest day with these 10 tips that will make sure you are giving your body some love for all the amazing things it can do!

1 – Foam rolling
For a more in depth look at how foam rolling can compliment your pole practice, recovery, and flexibility training read this article. But seriously, your muscles will thank you and so will your soul. Show yourself some love!

2 – Yoga
If you really do feel like you need to move on your rest days, take up some yoga. It can be as flowy or vigorous as you like, even put in some handstands if you want, but it will offer a nice change of pace to pole dancing, and the connection to your breath will support recovery. Don’t forget your long shavasana, even if you have a home practice. Yoga doesn’t neglect rest and neither should you.

3 – Epsom salt bath
You may already be taking a magnesium supplement to help with muscle soreness, but what if I told you you can soak in the stuff! Add some aromatherapy oils, a few candles and a glass of wine …need I say more?

4 – Massage
Do you have tight shoulders? A stiff neck? Sore glutes and hammys? Muscles need circulation and rest to recover. Self massage is great, and foam rolling, but if you can book yourself in for a proper massage at least every 3-6 months your body will thank you. Take the whole day, let yourself be oiled up and let it soak in to those calluses and dry spots. When you get home jump in a Epsom salt bath and laze the afternoon away. Aaaaahhhhhh.

5 – Get outside
Many pole dancers have pole widows at home. They miss you and your rest days are a great chance to catch up on quality time with loved ones. Go for a walk, head to the beach, or just wander. The walk will help you feel like you haven’t just sat around all day, and the time to connect with you partner will also boost your spirits and hopefully make you feel less guilty when you spent the whole day in the studio tomorrow.

6 – Visualization
Maybe you have a pole comp coming up and really can’t let yourself take time off. Did you know, that visualizing your combos and routines can be an effective part of your training? Lie down, close your eyes, and put on your music. Visualize the stage, the audience, your introduction, the lights on the stage, your costume. This exercise will help with your memory of combos and floorwork and also help with your awareness of the music. All while giving you body the time to recharge to tackle the routine tomorrow!

7 – Keep a pole journal
I’m a big fan of journaling, for record keeping and self reflection. After a comp or showcase it’s a lovely way to document photos and the final choreography, and take stock in the experience. It also satisfies the desire to be living, breathing pole, while not actually over training.

8 – Costume making/fixing
Whether you make your own costumes, or just have a wardrobe overflowing with crops, booty shorts, tank tops, and tights, guaranteed some if it needs some TLC. Grab a needle and thread and fix those sequins on the costume you wore last time. Sort through your active wear and cull anything worn out, sweat stained, or that would be more appreciated by a pole friend. Lots of studios run buy/swap/sell events and it’s a great way to trade for new gear.
There are also a tonne of YouTube videos and tutorials about making your own costumes. Many patterns for underwear, bras, and crops are also easily adaptable to pole. Making your own pole wear and costume means you can always have a unique outfit to compliment your routine too, scoring bonus points from the judges.

9 – Colouring books
Cultivating mindfulness through colouring is a trend that’s taken the world by storm. Children colour and draw all the time, so why as adults have we tossed this hobby into the “I don’t have time” basket? There are now books with designs of pole dancers and aerialists! No excuses, take the afternoon off, go sit under a tree, and colour!

10 – Cook
Late night pole classes getting in the way of healthy dinners?
Are you finding yourself grabbing chocolate bars from work to the studio “because there isn’t enough time to eat anything healthy?”
Use your rest days for meal prep! Head to the shops and buy ingredients that you can use to make meals in bulk. Cook up a storm and then freeze the leftovers in single portions, perfect to heat up when you get home from class.
It is also super easy to make your own protein bars and healthy snacks. Cook a batch on the weekend and they will also last you all week, so there is no temptation to cheat while on the run.

Pole dance teaches us that our bodies can do amazing things. Show your body some love and take a rest day. Self care is not selfish. Recharge and refuel and return to your dancing stronger than ever.

If you have any more tips for rest day self care, let me know in the comments below, or tag me on Facebook and Instagram!

A Story in Song Titles

Last year, Sydney Pole started a call out for people’s stories – How Pole Changed Me. Dancers submitted videos, slideshows, or anecdotes revealing their reasons for taking up pole and the affect it has had on their lives.

Pole dance is an empowering practice and many stories share very powerful and personal messages of triumph, renewal, hope, and self love.

You can see my video from last year here.

Just for fun, this year I found a new way to share my story. With a backlog of over 18 solos and group choreography projects, it seemed there was a tonne of data just waiting to be collated into a story.

Writing out the song titles for each of these projects, they seemed to follow their own path that reflected my personal pole dance journey. Each song appears in chronological order from 2011 until now.

Perhaps my subconscious has been working at this all along! It all came together in a very uncanny way!

Bonus points for matching the song name to the photo if you have been following along!

Mel Nutter as Baudelaire PCM

 

Many of these songs appear on my playlist which you can listen or subscribe to here.

I’d love to hear about your own pole journey! Find a way to express it creatively, or just speak from the heart. You might just be surprised to see how far you have come!

Dance Makes you Bigger than Yourself

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I was interviewed recently, by Rowena Gander from Pole Purpose, and one of the questions she asked was about the psychological benefits of creation and dance. I answered,

 

 

 

There is an old saying, “if I knew how to say it, I wouldn’t have to dance it”. I think this relates to many art forms. Because dance is so linked to music, the creative process also allows the dancer say something about the intention of the music, enhancing or adding another dimension to their own personal story. All this leads to a better understanding of emotions, feelings, and the self.

Many pole dancers have come to the practice for it’s cathartic and healing properties. The history of dance itself has roots in movement therapy and the flushing of energy. Even if you want to stay in the realms of science, you cannot disagree that dancing and exercise release endorphins that make you happy!

Sometimes it feels like there is a place you go when you dance. Somewhere outside of yourself, or maybe deep within, where all your problems cease to exist. Dancers refer to this place as “in the zone” or “in the moment”, and it can often feel like you have let go, giving away control to some other force. Your brain no longer leading your body, you simply surrender to the flow of energy.

In a contemporary dance class the other day, our instructor was describing the quality of movement. As well as relating each movement to the breath, he didn’t just want us to raise our arms with the inhale, but to reach, to extend, to “brush our fingers against the sky”. To extend beyond the boundaries of ourselves.

The vertical nature of pole dance, does allow us to be bigger than ourselves, in a very literal sense. We can climb high on the stage and embody a space of flight, defying gravity. The pole can be an extension of our body, but we should also think about the quality of our movements being larger than that.

This way of thinking adds a deliberateness to the movements. You can’t rush in that space, each articulation and gesture is a big as the next, and needs to reach that completeness before the next one can begin. Working with slow movements, will allow you to focus on this technique before bringing them to a faster tempo.

Physical movements aside, this idea of “brushing your fingers against the sky” also relates to the psychological process of dance allowing us to reach outside of ourselves.

Perhaps this is part of the reason why dance is such a liberating practice. Confronting, but liberating. In many people’s lives they may feel they have to hide inside, shroud their true selves, as obligations and responsibilities get in the way of their own personal journey. I see women all the time come to pole dance classes and even just walking into the studio is a huge breakthrough in prioritising time for themselves.

Pole dance is also a practice of breaking down negative thinking about what you can and cannot do. The confident glow  from learning how to invert, shoulder mount, or even an ayesha can last for weeks, boosting your mood and enthusiasm for other aspects of your life.

Beach Pole

 

Take these thoughts with you next time you begin to dance, or when you are thinking about choreography. At the least you will come up with some creative flow, but more likely you’ll find a place where the dance begins, a space that is as big as the sky.

Solotude 3 – Video!

You have seen the pictures, heard the rumours, and now you can watch the video!

Solotude 3 was such an amazing event! The feedback that has been flowing in about my routine has been wonderful. Thank you to all my followers and supporters, in real life and online. It has been wonderful to have such regular dance opportunities to grow as a performer.

This routine had been in the works for about six months. I usually work with a quicker timeline, however I think the overall performance benefited from my sustained practice. The extra time also offered me more space to reflect on the movements and how they related to the story and my intentions.

I like to work with narratives and pole drama, so this routine was based on the story of the Gemini constellation. Driven by the narrative of Pollux and Castor’s tragedy, I invited the audience to engage with elements of loss, connection, reunion, and shared identities. I love working with props, and the mask was a simple way to help the audience engage with and follow the story.

Photos of the night were captured by Lioness Photography and Ash King. I love how they used close ups and unique angles to compliment my performance, not just capturing my tricks.

If you like my performance, feel free to share it online! I am also available for choreography workshops, for studios and classes, or to help you with your own solo.

Send me an email at mel@melnutter.com and let’s start dancing!

Every Artist Was First An Amateur

Next week, I will walk on stage at The Vanguard for the fourth time – fifth if you count being pole monkey for another show.

December 2011- Art of Pole Christmas Showcase

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April 2015 – Glam Rock Cabaret (Pole Monkey)

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June 2015 – Solotude

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November 2015 – Solotude 2

Solotude 2 - The Vanguard, Newtown - November 2015

June 2016 – Solotude 3

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I have been incredibly lucky to have had so many opportunities to refine my performance skills. Over so many years, of course my tricks have improved, but I have also been able to work on my stage presence and fluidity, and forge out my own style. Looking back at photos from 2011 I am blown away by how much pole dancing has shaped my growth as a person as well as a performer.

Ralph Waldo Emerson is famous for saying,

“Every artist was first an amateur.”

The journey from amateur to artist requires the support of a strong community. It requires determination, persistence, and passion. It also requires space to grow and evolve. In the case of a dancer, it also means a space to perform and people to watch.

I am so grateful for Solotude and the Vanguard for providing that space. And I am grateful to you for being that audience.

Come along to the show next weekend and support the rising stars! Find me in the crowd after my show and say hi and let me thank you in person for supporting all of the amateurs who are growing an artist within.

Tickets available here.

Floorwork: Rising Up to the Challenge

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When I first started pole dancing, we had a saying at the studio, “the floor is lava!”. The pole was our safe place, our rock that allowed everyone to spin around like superstars. The floor was a hard place (especially on the knees!) that revealed our lack of dance backgrounds and coordination.

Over the last few years, however, there has been a resurgence in floorwork. Pole dancers now don knee pads and leggings, and admit to even neglecting their pole tricks for the allure of “rolling around on the floor”. Floorplay is open for auditions once again and studios run classes exclusively for floorwork. Competition pros even have their own take on Basework  and Low Flow.

Floorwork does not have to be defined by sultry and sexy moves. You can make it gymnastic, acrobatic, contemporary, or add a break dance feel depending on your influence. In fact, your floorwork may even impact the overall style of your routine, dictating the flow of your pole tricks and your expression.

I was recently asked about my choreography process, in particular which comes first, pole or floor? Most of my initial inspiration comes from visualisation and as much as I see myself doing pole combos to various parts of the song, I also picture a pose or grounded movement. It’s a starting place for a floorwork sequence that is not necessarily how I will begin the routine, but may become a motive or shape that I revisit throughout.

I like the idea that floor based tricks can add a new layer to a performance. Jazz and contemporary dance talk a lot about levels for pathways of movement. You can try this exercise in your lounge room or studio:

Put on a song and set yourself a limitation. Consider moving from A to B (or pole to pole) by only crawling or rolling on the floor. No kneeling, no standing. Take as long as you need to, the whole song if you wish. Tune in to what comes naturally and places you get stuck.
Try a second and third time with new limitations. Rising only as high as your knees, or moving across the floor from a standing position. Set a rule that you much have one hand touching one foot at all times. Try it with both hands touching each other at all times.

The character of your performance and your intention will define how well each of these suggestions connect to the rest of your choreography. But they are worth exploring though freestyle or as a specific exercise, you’ll be surprised how creative you can be!

It has taken a long time to grow accustom to the carpet burns and bruised knees that come part and parcel with floorwork. However, I am working at making it a more important part of my repertoire. Acknowledging it as a space to incorporate different dance styles and offer even more scope for expression, time spent “rolling around on the floor” can lead to finding the essence of the dance, just as much as a pole freestyle.

But if the floor is still a scary, untouchable place for you take inspiration from Yvonne Smink, who choreographed an entire routine without touching the floor until her final dismount!