Tagpole

Turning Towards Fear

Today was a moving day. To tell you about today I need to start this story in the past. Writing this was as much cathartic as the Epsom salt bath I had afterwards. For anyone experiencing fear and anxiety while trying new moves, I hope it is as worthwhile for you too.

 

Last year I fell off the pole, two metres up, attempting to windmill/body swap through a Tammy. Landing on my head I suffered a concussion and have unintentionally yet clearly avoided the move ever since.

In class with Bailey each Sunday, she has been throwing challenging moves at us all term. Many have been based around this Tammy transition. For seven weeks I’ve avoided it. Using excuses that my elbow grip is not steady enough to land after the transition. Or, it’s on my goofy side. Or I just kind of make myself look busy until we move on to something else.

I’m not sure what changed today, but something in me wanted to try it properly. I was open about it. I started to share my difficulty with classmate Oryx, “I just can’t turn around into the pole.” Immediately pinpointing the problem, she asked, “how do you feel in your tammy?”

Boom! There was no hiding now!

Revisiting the story of falling, Oryx knew, she was also in the class when it had happened. She smiled and talked me through the motions of the transition.
I try again and Bailey offers pointers. Stumbling I pull out, a half arsed attempt really, and tell her about my fall. She shares a knowing glance and then gets straight to the point.

I’m jittery, angry, tears well in my eyes.
“Bring that circling leg around. Point it to the floor it will squeeze you in and hold the top leg on.”
I hear her but my body is flooded with fear.

She stands an arms reach away and waits for me to try again.

Deep breaths. I try to shake off the fear. Bailey does a jump and shake too. Let’s do this!

I step into a slow spin going backwards. Straddle to an inside leg hang and stretch my inside hand down the pole. My outside leg begins its circle to close over the pole in the tammy position. Every spin I see Bailey’s toes and I can hear her voice.
“Pull that leg down, toes to the floor, yes yes… ”
And then ha! My stomach is facing the pole! I’m so low my bottom hand is now on the floor but my legs aren’t going anywhere. It’s stable.

Woooosh!

The blood drains from my head from being upside-down and plays on a scale with the adrenaline rising in my body. I must look a bit dazed and confused but I have more focus than ever. Maybe I can do this?

Up again, a controlled reverse spin, gemini hook, I hear Bailey, leg is down, stomach to pole I’ve closed off … rolled in, hooked the elbow … holy shit … Bailey talks through the rest of the combo, “get the pole into your trap, catch on the ankle, thread the leg through”, extend……. dismount.
Ha!

I’m too excited, pumped, zoned out, or something, and not sure how to react. Bailey’s excited “YEAH! Jump up and down, shake that shit out!”

Exhale!

There is only five minutes until the end of class. I set up my phone to record the combo, and so next time I get the jitters I can watch myself succeed and prove this fear wrong.

You can see me psych myself up in the video. Bailey is not an arms reach away this time. It’s just the sign of confidence I need though. To really overcome this I need to do it on my own.

Breaking down the pole moves into stages I work through the combo slowly. First attempt – success, but a bit low making the dismount clumsy. I can do better. Second attempt I add a half climb further up the pole.

Slow and steady, it’s not time to get carried away.

Fear is something that gets talked about a lot in the pole dance community. For women and men, breaking out of their comfort zone and even attending a pole class for the first time can bring out a lot of fear. Anxiety about their body shape, sense of self expression, and failure.

There are even some funny memes about pole dancing fears but humour is usually the last thing on our minds when we are really in the grips of fear.

Your body has natural fear instincts that alert you to be careful when in strange situations. Even though it’s fun to hang out upside-down, when you’re asked to let go of one hand, or hold on with just your ankles, it’s understandable that your instincts flare up and say WTF!

I’ve seen girls have fears about many pole moves, simply the idea of it scares the shit out of them. When you fall out of a move, this fear is compounded. Yoga philosophy talks a lot of holding fear in parts of your body. The release of this energy is sometimes just as overwhelming as the fear itself, further compounding the emotional response to confronting the fear in the first place.

After pole class today I went to my usual weekly yoga session. I was still jittery and had a conflicting feeling of tension and release that comes from your body reacting to a high dose of adrenaline. Across the hour and half my yoga teacher chose some new and challenging poses. By the time were reached Shavasana I was more than ready to let the energy slow to a trickle. Easing into bliss I was buzzing but with less adrenaline and more joy. Joy and love that pole dance did that! That I faced a fear and came out on the other side, unscathed, alive!

It had been a roller coaster of a morning and a hell of a learning experience. There is a chance the fear related to this Tammy combo will resurface and ask me to turn towards it again but I’ll cross that bridge when I come to it. For now, I’m ready for an Epsom salt bath and some down time to let the feelings of the day settle.
If you are working through a pole combo/move and find yourself gripped with anxiety, here are a few ideas that might help you.

  • Visualise yourself accomplishing the move: if all you can imagine is yourself falling in a heap on the floor or cracking your head open, then that is probably going to effect the result.
  • Break down the move into it’s smallest components: thinking conscsiously about what your hands, legs, arms, knees, head, and toes are doing, even for the most basic elements will help you isolate the part that you feel most unsteady in. Identify the contact points and how to engage your body to work through the move safely. Even see if you can add a contact point by leaving a hand on for the first few attempts.
  • Ask for a spot: From an instructor or a trusted friend. Share your fear so they know what to expect when you’re upside-down
  • Talk about why you might be so frightened: Are you scared of falling on your head? Have you fallen out of a similar move in the past? Maybe you’re scared of success and this amazing pole move challenges your image of yourself? Sometimes just verbalising it and talking it out can be the first step in helping you let go.
  • Walk away from the move, for today. Some days it’s just not going to work. Sleep on it, try it again tomorrow, it’s all a learning process.

Train Both Sides

2016-02-02 21.23.39Last year I made a conscious effort to train both sides. I even went back to basics in the studio, joining a lower class to work on inside and outside leg hangs and simple combos.

And I can finally say, that it’s starting to pay off!

If you’re an advanced pole dancer you will know that many combos at higher levels require you to interchange with both sides. To land on your good side split, you might need to start on a goofy side leg hang. Or to make sure your strong arm is in the right place in your ayesha, you will need to hook your goofy leg at the beginning of the sequence.

Essentially, you should have no good and bad side for the fundamental moves. Super human pole dancers seem to be able to do everything on both sides, but let’s stick to the basics for now.

The list of moves I was working through for both sides is as follows:

  • floor spins (chair spin, angel, back grab, front hook etc) – left hand high, right hand high
  • climbs – left leg in front, right leg in front
  • straddle – both sides
  • layback – left leg on top, right leg on top
  • hangback – cross knee release and cross ankle release
  • hello boys / wrist seat – left hand high, right hand high
  • inside leg hang – both sides
  • outside leg hang – both sides
  • cupid – both sides
  • pike – both sides
  • butterfly – both sides
  • shoulder mount – both sides
  • brass monkey – both sides

 

I’d also like to add that training both sides for these fundamental moves also helps you remember the contact points and important components of their technique. Sometimes we have learned a move so long ago we’ve filed it in muscle memory and are less aware off what our bodies are doing to hold on. Relearning the basics was also a great mental exercise in discovering what my body was actually doing in each pose.

I’d like to add jade split, ayesha variations and allegra on both sides this year. Especially after seeing the fruits of my labour for the list above in the last few months.

Surprisingly my shoulder mount on both sides was easier than an outside leg hang and cupid. Even my goofy brass monkey seemed to stick more often! It’s taken a long time to feel secure hanging by my goofy leg. But then today .… break through!

Cupid on both sides, so secure, no hands! Success!

So please persist! It hurts, there are bruises, but you will get there! It will help your body feel more balanced and it will make advanced combos so much less scary when you are asked to land in a goofy leg hang!

New Year, New Pole Goals

“To accomplish great things, we must not only act, but also dream.”

10547553_10154477041425425_4923286836691610026_nAs I opened Write Monkey to begin this post about pole goals, this was the quote presented to me.

I’m definitely a dreamer when it comes to pole goals. There is research to suggest that visualization and dreaming are useful tools when setting and working towards goals. You probably do it too when you waiting for a bus or sitting in traffic, a song comes on and you drift away to the performance space in your head where you are flying around the pole nailing your nemesis trick.

There is always a lots of talk about pole goals at the beginning of the year. Bad Kitty have two articles offering advice to keep you on track and motivated when times get tough, and even United Pole Artists share their take on charting your progress.

It’s fun to joke around and set far out goals. Phoenix? Sure! Bird of Paradise? I wish! Rainbow Marchenko? I must be dreaming!

But I think sometimes pole dancers forget that the professionals we swoon over who can accomplish these tricks, are PROFESSIONALS. A home poler, or someone who dances in the studio two or three times a week, unless they have super human flexibility, are unlikely to be able to rainbow marchenko any time soon.

It is also cause for concern when dancers set goals that are too high and set themselves up for injury by skipping over the foundations that would help them get in to the move safely.

I’m not saying don’t dream big, but perhaps use your pole goals as baby steps to reach those dreams.

For example,

Dream move: Phoenix

Baby steps: Regular static pole practice
Ragdoll
Ayesha / Static V
Iron X Controlled descents
Handsprings with variety of grips (cup, split, twisted)
Cartwheel mounts
One arm spins
Chucks

Off the pole conditioning: Handstands, shoulder strengthening,
core work, breath work.

 

You could even put these smaller goals on a timeline and chart your progress. Rather than just attempting a phoenix every pole practice, failing and getting demotivated and then not trying it again for months, the smaller successes will help you stay on track and ensure you are always moving forward towards the end goal. By recording the baby steps and including them in your regular pole practice, you will likely have more strength, control, and understanding of the trick to nail it when the time comes.

The initial quote suggested you need action as well as dream to accomplish your goals. Create an action plan and your dreams will soon be your reality!

Happy New Year!

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Shall we all smash our pole goals, have sticky poles, become amazingly flexible, and all achieve our aerial deadlifts in 2016!

 

Stay safe over the holidays!

Choreography Workshop

Choreography intensiveHave you ever dreamed of taking the stage for a solo performance? Do you have a list of songs that you would love to dance to, but don’t know where to start? Would you like to share your vision in a supportive environment with fellow polers who can help you refine your ideas?

Join me for a Choreography Intensive at Sydney Pole on Sunday 27th December!

Learn how to unpack songs, sequence your favourite tricks and combos, and put the finishing touches on your routine!

The workshop will consist of two parts, 45 minutes each. Using a song of your choice, I will lead you though a step by step process that will teach you to listen to and identify thematic and musical elements of a song, and use them to enhance your performance concept.

During the second half of the workshop I will teach you floorwork and pole exercises that will help you connect to your music and ensure your routine is as unique as you are. These techniques will be useful for choreography to any genre of music and will help you find movement and expression in your own body, revealing the dancer within.

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Ok, yes! It’s a shameless plug for my workshop! But I’m so excited to be able to give back and help inspire others to get up and dance! I believe that I have a strong appreciation for musicality, clean lines, and genuine expression, and would like to offer a productive and supportive space to help others bring their performance ideas to the stage.

If you’re in Sydney or know a dancer who might be interested, let them know!

Book in through Sydney Pole

Open to all skill levels and dance experience!

Miss Summer Trick Star – The Debrief

MSTS - Canberra, November 2015

A fortnight ago, I was in Canberra for Miss Summer Trick Star. An amateur pole dance competition organised by Trick Fitness held each year.

 

 

Previous winners include Miss Nikki Anne, who I met at a training workshop earlier this year. The support of having a familiar face at the comp encouraged me to sign up. Traveling interstate for pole turned in to quite the big deal, and if anything, it was amazing to be able to represent my studio outside of Sydney.

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There were 16 competitors on the night. All had different styles, some sexy, some cute and funny, some sporty. Some of my competitors were older too, not seasoned pros, but mature age women who’s confidence and self awareness came through in their stage presence. Great motivation to be be poling when I’m 40 too!

 

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My routine was to Intergalactic by the Beastie Boys. I nailed the crowd appreciation factor for song choice and prop!

 

 

 

I didn’t place, and looking at the video of my routine I can see where it went a bit pear shaped. I still have lots of excuses in my head for why, including having to take two weeks off training in October while being sick. As much as it’s important to want to enter a competition and think you will win, instead of sulking, it presents valuable learning opportunities for myself and for my progress as a dancer.

The girls at the beginning of the show, myself included, were all pretty much of the same skill level. We had some key tricks both flexi and strength based and some standard floor work. My routine had more of a story and I included a number of drops, a pegasus combo, and off-the-pole floor balances that I thought could set me apart.

The girls who came on after intermission were in a league of their own. Hand standing and splitting all over the place, these girls were amazing! They were all Canberra locals too, nothing like batting on your home turf!

We all were quick to see that they were winning material. My cheer squad knew it too as their supportive comments about my routine were soon overshadowed by their awe of the performance on the stage and their mental notes of new transitions to try next time they are in the studio.

If I had nailed my central combo I may have been in for a chance, but the feedback from the judges has also helped me unpack what went wrong.

Firstly, it was a Trick comp – Miss Summer Trick Star. I had some cool tricks and made sure to include both strength and flex, but if I choreographed it again I would have included more. It would have sacrificed a bit of my story (always a balance) but reflecting on it now, the judges were expecting more tricks.

Secondly, nerves! The judges commented that “my nerves got the better of me” and although it didn’t feel like it on stage, I can see in the video why it would come across that way. It wasn’t as relaxed and smooth as some of the other routines, and after my mess up, I composed myself but the it did shake up the ending.

Thirdly, something I’ve always been trying to work on, engaging with the audience. The judges pointed out that during my floorwork I did this well (hooray!) but when I got on the pole, I missed opportunities to make eye contact and maintain that engagement. I was too introverted and focused worried concentrating on getting the tricks right, that I couldn’t just relax and show I was enjoying it too. Which may be telling that I didn’t know the tricks as well as I could have, but it’s definitely something to think about for future performances.

I didn’t get much feedback from peers or instructors before the competition. I was time poor and most of the people that saw it were just full of compliments and support. I wonder if these things would have come out earlier if I showed it to more people and polished it with more time to spare. All things to remember for next time.

12366273_823379814442314_6295897550700074880_nA consolation prize … photos! I’m so pleased with them you could almost forget that I messed up a combo!

I hope this post gives others a way to move forward after a competition. When things don’t go to plan it can be hard not to lose motivation. The points outlined from my feedback are applicable to everyone’s dancing too. So if you are prepping for a comp, keep them in mind, especially how you are engaging with the audience.

 

Happy Poling!