Tagflexibility

A Story about Stretching

2015-12-06 11.29.25For anyone involved in the pole dance community, you would have had a thousand involved conversations about flexibility and stretching. Studios everywhere offer conditioning classes to compliment your dance practice, and most people’s pole goal list is dotted with dreams for flat splits and bendy backs. After a few months of dancing you may have also amassed a stash of foam rollers, thera bands, and spiky balls to support you on your journey to flexiness!

 

Coming from a yoga background, I already felt I understood the benefits of increased mobility. But it wasn’t until I started pole that I really focused on stretching and learning about muscle groups and how I could work towards my flexibility goals.

StudioVeena was my first inroad into dedicated stretching in 2013. She still offers tutorials for front and middle splits and back flex and encourages foam rolling as part of a warm up to increase blood flow and support muscles relaxation. The tutorials are between 20-30min, the perfect length to fit into my schedule. After riding home from work, I was already well warmed up and could foam roll and then stretch before dinner. Doing this nearly everyday, I was making amazing gains on my front splits.

I also purchased Delavier’s Stretching Anatomy book, which offered 130 stretching exercises covering the entire body. The diagrams and clear details about how each stretch targeted different muscles really helped me articulate to myself how each stretch was benefiting my body. I could also begin to see how different stretches related to different pole moves, discerning how a strong and stable Butterfly pole pose would require strength and mobility in my back muscles, chest, shoulder, hips and glutes.

It was around 2014 that I started to learn about the difference between dynamic stretching and static stretching. My yoga classes and the StudioVeena series at the time were using static stretches. Cleo had just released her Rockin’ Legs N Abs DVD and I was excited to spice things up.

As well as a being a high intensity warm up and cardio challenge, Cleo worked through exercises for dynamic flex with lots of high front kicks, side kicks and back kicks. The women on the DVD are incredibly flexible and strong and inspirational in their range of motion. It was a great full body workout, but I have found that I don’t use it as much as I had hoped.

Sometimes dynamic stretching gets a back rap, the concern that if you bounce through a stretch or kick your up into a split without the proper strength to hold it there, you risk injury.

Personally, I am very careful with dynamic stretching. It’s important to remember that pole, like yoga, is a body work practice, and you need to listen to your body. After tearing both hamstrings, my physio advised that to reduce the chance of re-injury, I should take it slow with my tendons. If you have grown up with dance and ballet, your muscles and tendons may respond differently. I’m a massive advocate for “it’s never too late to start” but please remember that if your body is older and you don’t have a background in physical activity, diving in to the Rockin’ Legs N Abs video may be too dynamic for your body to handle.

It’s been a long road to recovery after my hamstring injuries. Physically it has taken nearly two years for my hamstrings to feel like stretching again. Emotionally it has also taken nearly two years to work through the fear that I might tear them again too. Attending a flexibility class or even just stretching at home used to bring up a lot of anxiety about damaging my body and I would get flash backs from the moment of injury. Thankfully, time away from stretching my splits allowed me to focus on other goals – back flex, strength tricks and dance flow have been the main focus on my dance practice for the last 2 years.

I still dream about the splits, and my feet touching my head in a back bend! Recently, a friend told me about the Easy Flexibility series and after doing one video with her I bought a split stretching series. I was pleased to find the videos offering a balance between static and dynamic stretches and stemming from an awareness of anatomy that made sense to me. It is also refreshing to be able to complete a video and not be sore the next day. I have been able to get back into a routine of stretching everyday which is great to make progress towards my flexibility goals but also supports range of motion and general well being.

Last month, Indi Pole Wear also released a stretching guide for pole dancers
outlining a sequence of 22 stretches for back and hip mobility. The stretches are familiar (cobra pose, pigeon etc) but also show how you can use a chair or pole to correct form or increase the stretch. The authors also comment on how important your breathing is to promote a relaxed stretch. I’d recommend the sequence to anyone starting out on their stretching journey but like all tutorials that can be used without the spot of a trained instructor, be aware off what your body is telling you in each exercise and take it slow.

Stretching can be a wonderful practice to do on your own, even meditative and insightful as you engage with the process and movements of your own body. But when pushing yourself to get flexier, if you don’t have a teacher to correct your form or remind you to breath, you do run the risk of injury.

There will be a summary of this story in the Cross Training Series, including tutorials of my favourite stretches, as I genuinely believe stretching is beneficial for your pole practice. But I hope that this story inspires you start or return to stretching, either in a class at your studio or at home with one of the methods I have used. If you have a great stretching practice I’d love to hear about it too! Please comment below or get in touch with me through Instagram or Facebook.

Safe stretching!

Cross Training For Aerial – Part 4: Stall Bars

For both strength and flexibility training, sometimes your best choice is to try a new apparatus!

You might have stall bars in your studio, local gym, or maybe in an outdoor playground, and they can be a great asset to your pole training – just ask Oona.

I have been using the stall bars during my warm up and for added conditioning, supporting my strength and flexibility training as well as alignment. My work on the bars has also supported building strength and coordination on my goofy side, the horizontal format allowing me to focus on technique before taking those skills to the pole.

Here are just three ways I’ve been building my stall bar workout:

 

**Flexibility**
Stall-Bars-Back-Flex

I have many posts about how yoga has helped with my back bends, but the stall bars open up new opportunities for opening my chest and shoulders.
Drop backs can be scary and without a spotter or the right technique you risk crunching through your lower back or hurting your wrists as you land. The stall bars can support you as you walk your way down to the floor, or back up. It’s often gentler on the wrists to hold on to the rails and you can move slowly, allowing you to focus on alignment and technique.

 

**Speaking of Technique**
Stall-Bars-Technique

The theory behind pole moves talks a lot about push vs pull, stacking joints, muscle engagement, and breath. When you’re upside-down, however, it’s hard to remember which leg is your left and right let alone think about all those things!
Lots of work on the stall bars can happen with your feet on floor, or at least just off it, inviting you to work on engaging muscle groups and consider alignment before you go upside-down. This kind of training will build muscle memory and strength to reduce the risk of injury or poor technique in more advanced moves.

 

**Strength**
Stall-Bars-Leg-Lifts

Let’s face it, crunches are boring! If you’re a pole dancer, you probably find lots of other exercise boring, which is one of the reasons you started dancing in the first place! But, what if there was a way to make strength training fun again?
Hanging leg lifts are a great ab workout and will incorporate many more muscle groups than sit ups on the floor. Try them with bent knees, straight legs, to the side, air walking. Your straight leg straddles will thank you!

 

For more advanced stall bar tricks, please check out the experts – Oona and Nadia make their workout look just like kids on a jungle gym! What could be more fun than that?

New Year, New Pole Goals

“To accomplish great things, we must not only act, but also dream.”

10547553_10154477041425425_4923286836691610026_nAs I opened Write Monkey to begin this post about pole goals, this was the quote presented to me.

I’m definitely a dreamer when it comes to pole goals. There is research to suggest that visualization and dreaming are useful tools when setting and working towards goals. You probably do it too when you waiting for a bus or sitting in traffic, a song comes on and you drift away to the performance space in your head where you are flying around the pole nailing your nemesis trick.

There is always a lots of talk about pole goals at the beginning of the year. Bad Kitty have two articles offering advice to keep you on track and motivated when times get tough, and even United Pole Artists share their take on charting your progress.

It’s fun to joke around and set far out goals. Phoenix? Sure! Bird of Paradise? I wish! Rainbow Marchenko? I must be dreaming!

But I think sometimes pole dancers forget that the professionals we swoon over who can accomplish these tricks, are PROFESSIONALS. A home poler, or someone who dances in the studio two or three times a week, unless they have super human flexibility, are unlikely to be able to rainbow marchenko any time soon.

It is also cause for concern when dancers set goals that are too high and set themselves up for injury by skipping over the foundations that would help them get in to the move safely.

I’m not saying don’t dream big, but perhaps use your pole goals as baby steps to reach those dreams.

For example,

Dream move: Phoenix

Baby steps: Regular static pole practice
Ragdoll
Ayesha / Static V
Iron X Controlled descents
Handsprings with variety of grips (cup, split, twisted)
Cartwheel mounts
One arm spins
Chucks

Off the pole conditioning: Handstands, shoulder strengthening,
core work, breath work.

 

You could even put these smaller goals on a timeline and chart your progress. Rather than just attempting a phoenix every pole practice, failing and getting demotivated and then not trying it again for months, the smaller successes will help you stay on track and ensure you are always moving forward towards the end goal. By recording the baby steps and including them in your regular pole practice, you will likely have more strength, control, and understanding of the trick to nail it when the time comes.

The initial quote suggested you need action as well as dream to accomplish your goals. Create an action plan and your dreams will soon be your reality!

What to do when you don’t have a pole

This Christmas break my partner and I are cat sitting at a friend’s place down the road. It’s a lovely house with air conditioning which made the move an easy decision for this time of year. But I don’t have my pole 🙁

What’s a dancer to do?!

DANCE!


I’ve been watching YouTube clips of Merce Cunningham and revisiting some of the ballet technique I learned in my class. The back room of the house has amazing wooden floors so I indulged, rolled back the rug, put on my thigh high socks and flirty dress and spun around to Chino Merino’s new album. Bliss!

 

The nature of floorwork is changing in poledance, gaining influences from contemporary dance and hiphop. Working on carpet at home, it’s hard to come up with new things. The floor boards gave me real freedom to slip and slide and just flow, throwing a little bit of Marlo Fisken in their too!

It has been wonderful to have time to revisit my yoga practice too. I took my mat out onto the grass and down dogged with the ants and creepy crawlies.

The softer grass offered a safer lander for me to work on some freestanding headstands. At home I practice against the pole or the wall, but here wall space is limited. Learning to roll out safely and find balance away from the wall is challenging, but with so much time off on holidays, I was able to dedicate a whole afternoon to refining my practice.

The outcome? I haven’t missed my pole as much as I thought I would. We still have a week or so left here so I still might get withdrawals, but it’s been an enjoyable and productive break. If I had just been at home I probably would have focused on tricks and new transitions, but it’s been great to work on dance, floorwork, and balance. Hopefully I can bring some of this flow and headstanding, back to the pole when I return home.

How do you find ways to still train when away from pole?

Bodywork

my bodyHaving always been involved in some form of physical activity, be it now pole, yoga, or athletics and hockey back when I was younger, I have gained a fairly thorough but basic knowledge of anatomy.

I know that the hamstrings are the large muscles at the back of my thigh. I know that I have calves, quads, three types of glutes, hip flexors, psoas, etc. etc.

 

In more recent times I have learned about fascia, the tissue that is almost like a second skin surrounding the muscles, tendons, and joints. Fascia can be released through massage and foam rolling, which is an amazing way to begin stretching or soothe muscles after a performance!

I know that protein helps you build muscles, and severe DOMS can keep you away from another workout for days!

But it wasn’t until I tore both hamstrings (a misadventure from 2013), and started doing my own research into flexibility and how the muscles, tendons, and joints function collectively, that I began to understand how my body works. And, perhaps more importantly, how my body needs to work together.

Take this exercise from StudioVeena (one of my favourite forums for all things pole related!).

Veena explains:

“This exercise may not look like much but it’s important and helpful, in understanding the scapula and how to properly engage during training for pole or aerial work. If you are new to this exercise the movement may be very small, the more you practice the better control you’ll have. Avoid raising the shoulders up the ears, keep them down and trapezius relaxed.”

After you Google where your scapula and trapezius are, please take heed of another avoidance warning.

Avoid flaring the ribs, articulating the motion from the shoulders and not from the chest and back.

It took me about 5 re-tapes to finally get a consistent shot of me doing the exercise properly. I was transfixed! Why did my version not look like Veena’s? And after unpacking the motion, turns out it was rib flare. Caused by what? By not activating through my abdominal muscles.

This was a revelation to me that my shoulders were connected to my abs! It makes sense now, of course I need to stabilise my torso as I articulate my shoulders back and forth. I need to keep balanced! But my body also seems to have the bad habit of flaring my ribs and arching through the lower back, keeping me balanced, but compensating for each other’s bias.

And this is the crux! I could articulate my shoulders further backwards if I allow the movement to continue through my chest and abdominals. This movement when viewed from the side would create a curve, starting at the top of my back, coming forward over my sternum, continuing across flared ribs, and exiting my body as it arches through the lower back.

But a more stable movement, and one that will actually support shoulder strength and mobility, is one that isolates the movement to the area of the shoulders and upper back. For now, it may look less impressive. But for the longevity of my body (particularly my lower back!) it’s a step in the right direction.

Cross Training for Aerial – Part 1: Yoga

IMG_7430I was a yogi well before I came to pole dancing. Starting in 2005 in a backyard studio in Sydney’s outerwest, my partner and I found it an easy way to exercise regularly and incorporate a little bit of mindfulness into our day.

As we moved around Sydney, I found other studios to join, settling for a long time with Jivamukti Yoga in Newtown. Different to Hatha and Bikram, Jivamukti is a very dynamic practice. We explored handstands, headstands, and bound poses, and the studio ran regular immersion weeks. Like a retreat, we would do about 4-6 hours of physical yoga a day and investigate the yoga sutras as we learned about the history and theories of the practice.

It was around this time that I first fell in love with my body and what it could do. I wasn’t the strongest or the most flexible, but I found a grace in the vinyasa and a groundedness in in the body work and breath practices.

This year, I was able to reconnect with one of my favourite yoga teachers as he started teaching close by. Richard is a dancer as well as yogi and it made sense to return to his classes as a way to compliment my dancing.

A typical yoga class with Richard looks something like this –

  • gentle stretching to limber the joints and bring movement in the body
  • a series of sun salutations based on the traditional Surya Namaskar
  • a focus on a particular series of postures – one legged balances, hand balancing,inversions, seated twists, even the splits!
  • back strengthening and flex – including bow and wheel poses
  • shoulderstand and headstand sequences
  • Shavasana

These classes incorporate all three elements of a great workout – cardio (when performed with breath practice), strength, and stretching, and gives you space to assimilate it all as you rest in Shavasana (corpse pose) at the end. All of these can support your pole dancing, making you stronger, more flexible, and more balanced.

A stronger core? Check!
Back strengthening and flexibility? Check!
Shoulder openers? Check!
Hip openers? Check!
Awareness of how your body moves through space? Check!

It’s great to have a teacher who adds their own touch to the traditional yoga sequences too. Many pole dancers started pole as they found other forms of exercise too regimented and boring. Try to find a yoga teacher who will throw some surprises in there.

The benefits also go beyond just strength and flex training. A great class leaves me feeling like I had a great massage all over. The increase in circulation and movement across my upper back and shoulders is amazing therapy after a week of pole dancing. The focus on alignment also irons out the kinks caused by the one sided bias of pole dancing too.

Take a look at the yoga classes on offer in your area, or check out some of the free videos online. One of the great aspects of yoga philosophy is that many teachers believe it should be accessible to anyone, meaning there are a great range of free, or very cheap, options available.

Further Reading – Everything You Need to Know About Yoga and Pilates

Om Shanti!