Taganatomy

Cross Training For Aerial – Part 7: Push Ups

It is one of the oldest and most traditional exercises out there – Push Ups! Do you know why the humble push up has stood the test of time? Because push ups simply work! Push ups target your arms, chest, core, glutes, and many stabilising muscles, and they can be tailored to any fitness level. They are one of the most efficient body weight exercises that you can do.

So many pole dancers ask about strength training and are seeking advice to nail their nemesis moves. If you are looking to invert for the first time, do a one handed spin like Emily Laura, or smash out a handspring on demand, I highly recommend adding push ups to your cross training program. Even just a few a day, when performed with proper technique, will support your progress in achieving your goals.

Below I outline a few push up variations and explain how they target different muscles in your upper body. I tried to gather information from as many sources as possible – personal trainers, physios, yogis, body builders, crossfitters, you name it! If you are trying out these at home, please film yourself or watch your form in a mirror to ensure that you are completing the exercise correctly. Just like any other exercise, doing push ups the wrong way may put your body at risk of injury.

Standard Push Up Guidelines
The aim of a push up is to lower and raise you body as an entire unit. If you cannot hold a plank position and maintain stability through your core and lower back, it is highly recommended that you perform push ups with your knees on the floor. You can also start with push ups standing against a wall (facing the wall and pushing out), or with your upper body raised on a table to allow you to begin to train without your entire body weight involved in the exercise.

When performing a standard push up, on your knees or planking on your toes, the position of your wrists under your shoulders should not change. By stacking the joints you increase stability. As you lower down, your elbows should track close to you body. Think about this like entering Chaturanga in yoga, don’t let your elbows wing out to the sides. Alignment is key and learning to do a push up properly will ensure you don’t injure yourself later on.

If you experience pain, aching, twinging, or otherwise, during a standard push up, you may like to read Eric Cressey’s article about changing the position of the feet to alleviate stress on the shoulders.

It needs to be remembered that a push up is a whole body exercise. Yes it will strengthen you arms and chest, but a successful push up requires you to think about your entire body. Squeeze your glutes and keep your back flat by hollowing your abs, keep your eyes focused ahead of your hands, not looking down. You are aiming to form a straight line from your head, through your neck, along your back and to your feet.

If you are on your knees, your abs and legs are working less hard, but it is still no excuse to let them sag! Your entire body from your knees to your head should move as an entire unit, with no dipping, curling, or sinking through the back.

 

 

Lastly, remember to breathe. Standard practice says to inhale on the way down and exhale as you push the floor away from you and rise up. Going down is often easier than coming back up, but working with your breath will help you engage your muscles and find strength to straighten your arms. The quality of the push up is way more important than how many you can do. Start small and with proper technique and you will be able to do more reps in no time!


Push Up Variations

– Wide Arm Push Ups
When done correctly these types of push ups will target your pecs and chest, rather than allowing your triceps to the bulk of the work. Place your hands wider than your shoulders and lower down until your elbows reach a 90 degree angle. Be wary of your elbows reaching over your wrists which will place unnecessary pressure on the joints. I like to put my focus on my chest, and think about my whole torso lowering and rising up within a box made my elbows. You can perform these on your knees as well, with the same emphasis on keeping a flat back and neutral neck as outlined above.

– Single Leg Push ups
Taking one leg off the ground, even just a few cm, will greatly increase the load on your abs and stabilising muscles. The temptation with these types of push ups is to rush. Take it slow and pause between changing legs so your form does not diminish in the transition. A good tip is to place your feet a little wider than you would normally to help with balance.

– Single-arm Medicine Ball Push Ups
You can use any prop like a yoga block or kettle bell to do these too. The change in angle will allow you to target you arms, pecs, and shoulders and may offer insight into how one side of your body is stronger than the other. Try not to allow the torso to rotate or twist during the exercise, remaining stable in the core and lower back.

– Elevated Push Ups
If you are looking to increase the challenge, try placing your feet on the edge of a couch or a bench. Your body will be angled down towards your hands, increasing the amount of your body weight involved in the exercise.

– Spiderman Push Ups
Start with a normal push up set up. Lower down keeping your elbows tracking close to your body. As you rise up raise one knee towards your elbow on the same side. Place it back. Lower down again, and on the next rise, lift the other knee. You will find that this exercise engages the core in a new way and will also work the legs as you balance through each knee lift.

– Dolphin Push Ups
From a downward dog position, bend your elbows to lower to your forearms to the floor.  The aim is to lower and raise both arms at the same time. Focus and breathe, it’s harder than it looks! If you find this too intense on your legs, feel free to bend your knees but try to maintain a long line from your hips through to your neck.

– Diamond Push Ups

Place your hands close together directly underneath your chest, making a diamond shape with your thumbs and forefingers. Watch your form and make sure that you are not leaning back which will make the exercise easier. Keep your elbows tucked and lower slowly until your chest touches your hands. This exercise will target your deltoid muscles (pictured in the diagram) and also engage your core as you balance over a smaller base. When performed with correct technique, this variation is also said to have best results for training your triceps.

– Superman Push Ups

From a standard push up position, lower down keeping your elbows tracking close to your body. As you rise to the top of the movement, lift your right arm off the ground at the same time as lifting your left leg. Aim to raise them straight out, front and back, at the same level. Pause at the top and maintain stability through the core. Replace the hands and feet to reach a plank position and then repeat a push up and superman on the other side. Be wary of your hips and torso wanting to rotate at the top of the movement and focus on keeping your hips stable.

– Tiger Push Ups
Think about the two positions, downward dog and upward dog. If you are familiar with yoga you may already flow from upward dog to downward dog during a Sun Salutation. A tiger push up is doing this in reverse.

Start in a downward dog pose. While bending your elbows and dropping your upper body towards the floor, push forward with the chest and rise up to an upward dog position. You may or may not need to roll over the toes also. In the upward dog position, imagine a string pulling from your tail bone to bring your torso back through your arms and then up to starting pose. Try not to let the elbows flare, maintaining stability for your shoulders, elbows and wrists.

 

If you feel like each of these variations are easy, you can move on to handstand push ups, one arm push ups, and dynamic variations like clapping in between reps! There should be more than enough to keep you moving and motivated each day.

The great thing with push ups is that you will improve and see results very quickly. One week you might only be able to do 3 or 5, but very quickly you will find yourself doing 8 or 10, creating moments for feelings of success and motivation! Try one of the variation above and then return to your standard push up in the next training session and see the results for yourself!

The Importance of Breathing

I recently came across a new article by Monika from The Dance Training Project titled “7 Rules for a Highly Effective Movement Practice”.

I’ve followed Monika for a long time, enjoying her thoughts about safe dance training and body awareness. She currently works in Toronto, helping dancers to improve their technique by retraining movement patterns for better alignment and injury prevention. It’s a valuable practice and her insight is relevant to all kinds of dancers and athletes.

In her most recent article Monika makes a point about breathing. My yoga practice has encouraged me to think about the relationship between breath and movement. Vinyasa is defined as “a method of yoga in which movements form a flowing sequence in coordination with the breath.” Breathing properly not only brings oxygen into the blood and to the muscles, it also ensures you are moving from a place of calm and not from a fight-or-flight mode that can lead to tension and injury.

When pole dancing the excitement of a new pole trick, gritting your teeth while you sustain a posture, and the if-I-can-just-ahhh-get-my-foot-to-reach-aahhh-just-there mentality, often results in dancers forgetting about their breath. Holding your breath in, or out, causes the mind and body to become tense and a tense body loses it’s ability to be flexible and strong.

Monika points out,

“If you cannot breathe during the movement, you do not own the movement.”

and she goes to explain,

“Your emotional state and physical health can be interpreted via the quality of your breath, as well as your ability to load and use core musculature to provide dynamic stability and decelerate spinal motion.

In motion, if you can demonstrate a diaphragmatic breathing pattern, you are in charge. Good work.”

Consider a trick that you feel most comfortable with. Beginner or advanced, it does not matter. Many people find a ballerina spin fairly comfortable. It’s a go to for making graceful lines and you can add on elements to show off flexibility or strength.

I’d bet you can breathe fully and completely while spinning in a ballerina. You’re so comfortable that you can even make arm gestures, expressing meaning to make the pose your own. It may even be a resting pose as part of your choreography, where you hold it for 8 counts or so and take a complete breath.

 

Now think about a trick that requires more effort for you. It may be a straddle/invert, jade split, or even an ayesha. What is your breath doing when you attempt these poses? Can you breathe, as Monika says, with a “diaphragmatic breathing pattern”? Or are you taking shallow breaths barely filling the upper part of your lungs? Are you holding your breath?

 

If you video your practice, you may even be able to see your face change as you grit your teeth and the tendons in your neck pop, all signs that you are not breathing properly and not “owning the movement”.

If you are still unconvinced that all of this matters, consider how the quality of your breath will also effect the quality of the movement. A dancer who has been holding their breath as they hold a pose, is going to have to breathe eventually, usually with a gasp that will interrupt their flow and progression into the next pose.

So how do you find space in your dance to breathe?

I recall an instructor once asking us spontaneous questions while training. He suggested a trick, an Ayesha for example, and then asked us to stay in the pose and call out five names. This experience forced our brains to change tack, most often allowing our breath to return to state of normal while we focused on a different task. The act of talking also changes the way you hold your face and neck, allowing a more natural breathing pattern to resume.

Try it for yourself and feel how your own breath changes the movement. Prepare for a straddle/invert and inhale as you go upside-down. Now try it again with an exhale. Some people suggest inverting with your mouth slightly open, reducing the chance that you will grit your teeth. Record yourself or do it with a friend and see if they can see the difference. Most likely, you will also find that the movement feels different to you too.

Once you have experimented with this, consider how you breathe when moving through other poses, or throughout an entire routine. I’ve been known to write in breaths into my choreography as conscious reminders of when to check in and make sure I’m breathing properly.

I’d love to hear and see how it goes! Tag me in your post on Facebook or Instagram.  Head over to The Dance Project too and let Monika know how her wisdom is also helping pole dancers!

Sunday Bumday!

sb2We are seeing more and more butt selfies taking over social media. Sunday rolls around and every pole dancers across the globe is snapping pics as they squat it out, strut towards the pole, or just lie in bed in sexy lingerie.

But, what do you really know about your butt?

It wasn’t until I was forced to see a physio for my hamstring injuries, that I began to learn about the importance of working my glutes – for stability, strength, and mobility.

My rehabilitation involved lots of glute strengthening to ensure that my now scarred hamstrings would remain stable and safe even after they healed.

So let’s break down our derrieres.

There are three muscles that are called glutes:
The gluteus maximus, gluteous medius, and gluteous minimus. There is also a muscle called the tensor fasciae latae (not to be ordered along with your cronut!)

They all have different roles to play in helping your leg move in the hip socket, including rotation, lifting, and abducting. The condition of your glutes also influences your posture, and the chance of you developing back, hip, and pelvic pain.

THE GLUTEOUS MAXIMUS
The gluteous maximus helps us extend and externally rotate the leg.
You engage this muscle when
– creating a turn out
– swinging your leg back behind your torso
– lifting you leg while holding a plank
– doing donkey kicks
Squats and hip thrusts, can also exercise the gluteus maximus.

THE GLUTEOUS MEDIUS
The gluteous medius assists in external rotation, and also works to help internally rotate the leg. It’s third job is to abduct – the action of lifting your leg out to the side, like lateral leg raises or a clamshell exercise.

THE GLUTEOUS MINIMUS
The gluteous minimus teams up with the TFL to internally rotate the leg, as well as support abduction.

 has great Gluteal Exercises to see and feel all of this in action. Using your hands to feel the muscles working, especially in the butt, can be enormously helpful in understanding what is activating and when. Imagine it as a hands on way to talk to your body and tell it what to do, physically creating a pathway from the brain to the butt while the neural pathways are being formed.

If you are having trouble with certain poses on the pole, you may need to think about strengthening your glutes.

 

Case in point – Cupid

cupidYour top leg is hooked on the pole, gripping and pulling with the pole behind your knee. Your bottom leg is straight, pushing against the pole through the foot.

Hip mobility will play a role in how this shape looks on your body. Your crotch might be close to the pole, or your top leg might be more a right angle. Either way, to be stable in the pose, and eventually be able to take your hands off, you will need to be activating your glutes. Instructions such as “push your hips forward” and “squeeze your bum” may help you connect to the muscles that need to be engaged, but learning how to engage the three different glute muscles when off the pole will help with your muscle memory when you return to the pose.

Even beginner spins, require a certain amount of glute engagement to create nice lines. Play with a stag leg back spin and see the difference when you actively pull your back leg up with your glutes.

Yoga and Barre involve many exercises that will help train your glutes, and don’t be afraid to take it slow while you consciously think about engagement and activation. Make it a regular part of your pole dance training and join the #SundayBumday movement with tush that you’re proud to show off!

Can’t get enough? Now there is #SaturdayLaturday too!

A Story about Stretching

2015-12-06 11.29.25For anyone involved in the pole dance community, you would have had a thousand involved conversations about flexibility and stretching. Studios everywhere offer conditioning classes to compliment your dance practice, and most people’s pole goal list is dotted with dreams for flat splits and bendy backs. After a few months of dancing you may have also amassed a stash of foam rollers, thera bands, and spiky balls to support you on your journey to flexiness!

 

Coming from a yoga background, I already felt I understood the benefits of increased mobility. But it wasn’t until I started pole that I really focused on stretching and learning about muscle groups and how I could work towards my flexibility goals.

StudioVeena was my first inroad into dedicated stretching in 2013. She still offers tutorials for front and middle splits and back flex and encourages foam rolling as part of a warm up to increase blood flow and support muscles relaxation. The tutorials are between 20-30min, the perfect length to fit into my schedule. After riding home from work, I was already well warmed up and could foam roll and then stretch before dinner. Doing this nearly everyday, I was making amazing gains on my front splits.

I also purchased Delavier’s Stretching Anatomy book, which offered 130 stretching exercises covering the entire body. The diagrams and clear details about how each stretch targeted different muscles really helped me articulate to myself how each stretch was benefiting my body. I could also begin to see how different stretches related to different pole moves, discerning how a strong and stable Butterfly pole pose would require strength and mobility in my back muscles, chest, shoulder, hips and glutes.

It was around 2014 that I started to learn about the difference between dynamic stretching and static stretching. My yoga classes and the StudioVeena series at the time were using static stretches. Cleo had just released her Rockin’ Legs N Abs DVD and I was excited to spice things up.

As well as a being a high intensity warm up and cardio challenge, Cleo worked through exercises for dynamic flex with lots of high front kicks, side kicks and back kicks. The women on the DVD are incredibly flexible and strong and inspirational in their range of motion. It was a great full body workout, but I have found that I don’t use it as much as I had hoped.

Sometimes dynamic stretching gets a back rap, the concern that if you bounce through a stretch or kick your up into a split without the proper strength to hold it there, you risk injury.

Personally, I am very careful with dynamic stretching. It’s important to remember that pole, like yoga, is a body work practice, and you need to listen to your body. After tearing both hamstrings, my physio advised that to reduce the chance of re-injury, I should take it slow with my tendons. If you have grown up with dance and ballet, your muscles and tendons may respond differently. I’m a massive advocate for “it’s never too late to start” but please remember that if your body is older and you don’t have a background in physical activity, diving in to the Rockin’ Legs N Abs video may be too dynamic for your body to handle.

It’s been a long road to recovery after my hamstring injuries. Physically it has taken nearly two years for my hamstrings to feel like stretching again. Emotionally it has also taken nearly two years to work through the fear that I might tear them again too. Attending a flexibility class or even just stretching at home used to bring up a lot of anxiety about damaging my body and I would get flash backs from the moment of injury. Thankfully, time away from stretching my splits allowed me to focus on other goals – back flex, strength tricks and dance flow have been the main focus on my dance practice for the last 2 years.

I still dream about the splits, and my feet touching my head in a back bend! Recently, a friend told me about the Easy Flexibility series and after doing one video with her I bought a split stretching series. I was pleased to find the videos offering a balance between static and dynamic stretches and stemming from an awareness of anatomy that made sense to me. It is also refreshing to be able to complete a video and not be sore the next day. I have been able to get back into a routine of stretching everyday which is great to make progress towards my flexibility goals but also supports range of motion and general well being.

Last month, Indi Pole Wear also released a stretching guide for pole dancers
outlining a sequence of 22 stretches for back and hip mobility. The stretches are familiar (cobra pose, pigeon etc) but also show how you can use a chair or pole to correct form or increase the stretch. The authors also comment on how important your breathing is to promote a relaxed stretch. I’d recommend the sequence to anyone starting out on their stretching journey but like all tutorials that can be used without the spot of a trained instructor, be aware off what your body is telling you in each exercise and take it slow.

Stretching can be a wonderful practice to do on your own, even meditative and insightful as you engage with the process and movements of your own body. But when pushing yourself to get flexier, if you don’t have a teacher to correct your form or remind you to breath, you do run the risk of injury.

There will be a summary of this story in the Cross Training Series, including tutorials of my favourite stretches, as I genuinely believe stretching is beneficial for your pole practice. But I hope that this story inspires you start or return to stretching, either in a class at your studio or at home with one of the methods I have used. If you have a great stretching practice I’d love to hear about it too! Please comment below or get in touch with me through Instagram or Facebook.

Safe stretching!

Bodywork

my bodyHaving always been involved in some form of physical activity, be it now pole, yoga, or athletics and hockey back when I was younger, I have gained a fairly thorough but basic knowledge of anatomy.

I know that the hamstrings are the large muscles at the back of my thigh. I know that I have calves, quads, three types of glutes, hip flexors, psoas, etc. etc.

 

In more recent times I have learned about fascia, the tissue that is almost like a second skin surrounding the muscles, tendons, and joints. Fascia can be released through massage and foam rolling, which is an amazing way to begin stretching or soothe muscles after a performance!

I know that protein helps you build muscles, and severe DOMS can keep you away from another workout for days!

But it wasn’t until I tore both hamstrings (a misadventure from 2013), and started doing my own research into flexibility and how the muscles, tendons, and joints function collectively, that I began to understand how my body works. And, perhaps more importantly, how my body needs to work together.

Take this exercise from StudioVeena (one of my favourite forums for all things pole related!).

Veena explains:

“This exercise may not look like much but it’s important and helpful, in understanding the scapula and how to properly engage during training for pole or aerial work. If you are new to this exercise the movement may be very small, the more you practice the better control you’ll have. Avoid raising the shoulders up the ears, keep them down and trapezius relaxed.”

After you Google where your scapula and trapezius are, please take heed of another avoidance warning.

Avoid flaring the ribs, articulating the motion from the shoulders and not from the chest and back.

It took me about 5 re-tapes to finally get a consistent shot of me doing the exercise properly. I was transfixed! Why did my version not look like Veena’s? And after unpacking the motion, turns out it was rib flare. Caused by what? By not activating through my abdominal muscles.

This was a revelation to me that my shoulders were connected to my abs! It makes sense now, of course I need to stabilise my torso as I articulate my shoulders back and forth. I need to keep balanced! But my body also seems to have the bad habit of flaring my ribs and arching through the lower back, keeping me balanced, but compensating for each other’s bias.

And this is the crux! I could articulate my shoulders further backwards if I allow the movement to continue through my chest and abdominals. This movement when viewed from the side would create a curve, starting at the top of my back, coming forward over my sternum, continuing across flared ribs, and exiting my body as it arches through the lower back.

But a more stable movement, and one that will actually support shoulder strength and mobility, is one that isolates the movement to the area of the shoulders and upper back. For now, it may look less impressive. But for the longevity of my body (particularly my lower back!) it’s a step in the right direction.